Here is info about the Foundation for the Revival of Classical Culture, www.fftrocc.org that ran a very great summer school in 2016 and is scheduled to do it again.... so read about the program and see what you think. It took place at schools and other sites in New York City, NY.
The Summer School 2016
princiDONATE/SUBSCRIBE
WHY MUSIC AND SCIENCE?
The fundamental characteristic of the human mind—every human mind, past, present and future—is creativity, expressed most beautifully in man's capacity for.... development and creativity.
JOIN US FOR THIS YEAR'S SUMMER SCHOOL! creative play. This creative play is the basis of both science and art. It is famously reported of Albert Einstein that when he ran into a roadblock in his scientific work, he would retreat into the world of creative play of Classical music—playing his violin late into the night until, as would sometimes happen, the music would suddenly stop, and he would report, “I've got it.” Einstein insisted that “imagination is more important than knowledge, for knowledge is limited to all we now know and understand, while imagination embraces the entire world, and all there ever will be to know and understand.”
These sentiments of Einstein echo the great genius Johannes Kepler (1571-1630), founder of physical astronomy, whose work forms a key part of the educational program of the Foundation. Kepler's discoveries of the physical cause of the motion of the planets, and of the musical harmonic principles which order the motions of the Solar System as a whole, demonstrate the absolute coherence between ... art, music and science.
The Foundation for the Revival of Classical Culture is recognized as a public charity under Internal Revenue Code section 509(a) and has 501(c)(3) status.
Sunday, April 16, 2017
Friday, April 14, 2017
Bach Live in NYC on Easter Sunday
Some live Bach in NYC on Easter Sunday.... at The Evangelical Lutheran Church of the Holy Trinity | 3 W. 65th Street, New York, NY 10023 | 212.877.6815
Thank you to all who have made this an incredible 49th season!
This Sunday, we present our final Vespers service of the 2016/2017 season with the glorious music of our namesake JS Bach!
~Easter Sunday~
Sunday, April 16th 5:00 PM
Bach Vespers at Holy Trinity
Johann Sebastian Bach
Erfreut euch, ihr Herzen BWV 66
Kate Maroney - Alto
Nathan Hodgson - Tenor
Steven Eddy - Bass
Admission is free, open to the public and made possible through a free-will donation
Looking to get involved? Next season marks the much-anticipated 50th Anniversary of Bach Vespers at Holy Trinity. Find out how you can be apart of this incredible season of music be visiting our website:
www.bachvespersnyc.org
Or sending an email to:
office@bachvespersnyc.org
Bach Vespers is made possible in part by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.
Thursday, April 6, 2017
Mendelssohn Violin Concerto and A at 432
The Mendelssohn Violin Concerto is one of the all time favorites as a violin showcase piece. At usually under 25 minutes, it is a very tasty piece of music for sure. The beginning part is fireworks, and the middle is slow and contemplative.... As for the third part.... give me a few more minutes !! Really is fireworks too, but different, more development, triumpant in major key... wonder if it is G major?? That is the relative major to E minor...
The violinist is Jascha Heifetz, a rather talented star of the recording world who died in 1986 at the age of 86. But, here is an extra twist. People have been using electronics to lower an A (La) =440 cycles per seconds to the Verdi tuning of A=432 cycles per second or Hz.
Is this more appealing or not?? You be the judge, and comments are welcomed.
The violinist is Jascha Heifetz, a rather talented star of the recording world who died in 1986 at the age of 86. But, here is an extra twist. People have been using electronics to lower an A (La) =440 cycles per seconds to the Verdi tuning of A=432 cycles per second or Hz.
Is this more appealing or not?? You be the judge, and comments are welcomed.
For more info on the natural A=432 Hz. tuning vs. the unnatural standard A=440 (or 442, 444, etc.) Hz. please visit:
http://www.testimonios-de-un-discipul...
http://www.testimonios-de-un-discipul...
**************************************************************************************************
Para obtener más información sobre la afinación natural La=432 Hz., por favor visitar:
http://www.testimonios-de-un-discipul...
**************************************************************************************************
video is from Mendelssohn - Violin Concerto in E minor, Op. 64 - LIVE - 432 Hz.
http://www.testimonios-de-un-discipul...
http://www.testimonios-de-un-discipul...
**************************************************************************************************
Para obtener más información sobre la afinación natural La=432 Hz., por favor visitar:
http://www.testimonios-de-un-discipul...
**************************************************************************************************
video is from Mendelssohn - Violin Concerto in E minor, Op. 64 - LIVE - 432 Hz.
Felix Mendelssohn-Bartholdy - Violin Concerto in E minor, Op. 64 - LIVE - 432 Hz.
Movements:
1 Allegro molto appassionato
2 Andante
3 Allegretto non troppo – Allegro molto vivace
Concierto para Violin y Orquesta en Mi menor, Op. 64 de Felix Mendelssohn-Bartholdy a 432 Hz.
Free Music
Movements:
1 Allegro molto appassionato
2 Andante
3 Allegretto non troppo – Allegro molto vivace
Concierto para Violin y Orquesta en Mi menor, Op. 64 de Felix Mendelssohn-Bartholdy a 432 Hz.
Free Music
Category
License
- Standard YouTube License
Music
- "Violin Concerto in E Minor, Op. 64, MWV O14: I. Allegro molto appassionato -" by Jascha Heifetz
Wednesday, April 5, 2017
Beethoven Violin Concerto in D Major
The Beethoven Violin Concerto in D major, Op. 61 has been called one of the greatest show pieces for the violin.... It is a bit funny in the first (corrected) movement there is a melody that was used in a campy camp song that goes like "Georgie"-- I go oooh oooh to Georgie, and he goes ooohoooh to me." In all, this is a very light and bouncy piece, though with sad overtones... In fact, it easily goes from major to minor key and back...
Speaking of "Georgie" ----That won't be the first modern take offs of great classical melodies. Here is the youtube of the great conductor Wilhelm Furtwangler in 1953, with violinist Yehudi Menuhin. https://www.youtube.com/watch?v=RE-kBjTRtsU Actually first link is with Furtwangler conducting... the second one apparently Menuhin is the violinist and conductor... if that is correct...
from the Youtube notes:
Speaking of "Georgie" ----That won't be the first modern take offs of great classical melodies. Here is the youtube of the great conductor Wilhelm Furtwangler in 1953, with violinist Yehudi Menuhin. https://www.youtube.com/watch?v=RE-kBjTRtsU Actually first link is with Furtwangler conducting... the second one apparently Menuhin is the violinist and conductor... if that is correct...
Concerto In D Major, Op. 61 For Violin And Orchestra
First Movement - Allegro Ma Non Troppo - Cadenza (By Kreisler) - Tempo I
Cadenza – Kreisler
Second Movement - Larghetto
Third Movement - Rondo (Allegro) - Cadenza (By Kreisler) - Tempo I
Cadenza – Kreisler
Orchestra – Philharmonia Orchestra, The*
Conductor – Wilhelm Furtwängler
Violin – Yehudi Menuhin
Recorded in England in 1953
The Romance Nº 1 In G, Op. 40, was recorded by Menuhin, Furtwängler and the Philharmonia on April 9, 1953, the day after recording of the concerto. Beethoven composed it in 1803.
Cadenza – Kreisler
Second Movement - Larghetto
Third Movement - Rondo (Allegro) - Cadenza (By Kreisler) - Tempo I
Cadenza – Kreisler
Orchestra – Philharmonia Orchestra, The*
Conductor – Wilhelm Furtwängler
Violin – Yehudi Menuhin
Recorded in England in 1953
The Romance Nº 1 In G, Op. 40, was recorded by Menuhin, Furtwängler and the Philharmonia on April 9, 1953, the day after recording of the concerto. Beethoven composed it in 1803.
Category
License
- Standard YouTube License
Music
- "II. Larghetto" by Yehudi Menuhin Listen ad-free with YouTube Red
Sunday, March 19, 2017
Haydn and Mozart RevolutionLet
Let's learn about the Haydn and Mozart revolution in classical music. The lesson contains different excerpts of classical music. The first is by Guillaume Dufay, called Nuper Rosarum Flores, from the year 1436. This is Renaissance music and it is very distant to our ears, though still beautiful. It is about the same time as Filippo Brunelleschi's design of the great dome in Florence, Santa Maria del Fiore cathedral. Also see what John says about it in the lesson here.
Still it's interesting, if we had this Dufay type of music as popular music today, it would certainly be a step up.
There is an interesting contrast of the quiet parts in the Dufay piece, and the sections with blaring trumpets... yet, in the sense of Haydn and Mozart and the Motivfuhrung (fully composed piece with movement and development of a theme) it really doesn't go anywhere.
Lesson here (link to Motivfuhrung page)
by John Sigerson
Filippo Brunelleschi’s use of the principle of higher-order,
non-mathematical curvature in the construction of the cupola of the
Santa Maria del Fiore cathedral in Florence, Italy was not only a
crown
Oratione tua
Cruciatus et meritis
Tui secundum carnem
Nati Domini sui
Grata beneficia
Veniamque reatum
Accipere mereatur.
Amen.
(Cantus firmus:
Terribilis est locus iste)
I do not own the rights of this audio. It's free to download at the following link.
https://archive.org/details/Dufay-Nup...
Nuper rosarum flores
Ex dono pontificis
Hieme licet horrida
Tibi, virgo coelica,
Pie et sancte deditum
Grandis templum machinae
Condecorarunt perpetim.
Hodie vicarius
Jesu Christi et Petri
Successor Eugenius
Hoc idem amplissimum
Sacris templum manibus
Sanctisque liquoribus
Consecrare dignatus est.
Igitur, alma parens
Nati tui et filia
Virgo decus virginum,
Tuus te Florentiae
Devotus orat populus,
Ut qui mente et corpore
Mundo quicquam exorarit
Oratione tua
Cruciatus et meritis
Tui secundum carnem
Nati Domini sui
Grata beneficia
Veniamque reatum
Accipere mereatur.
Amen.
(Cantus firmus:
Terribilis est locus iste)
I do not own the rights of this audio. It's free to download at the following link.
https://archive.org/details/Dufay-Nup...
Oratione tua
Cruciatus et meritis
Tui secundum carnem
Nati Domini sui
Grata beneficia
Veniamque reatum
Accipere mereatur.
Amen.
(Cantus firmus:
Terribilis est locus iste)
I do not own the rights of this audio. It's free to download at the following link.
https://archive.org/details/Dufay-Nup...
ing architectural achievement of the Italian Golden Renaissance; it
also posed a challenge to apply that same principle in all domains of
human endeavor, including physical economy and art. In this fifth class
of the series on Lyndon LaRouche’s economic thought, Schiller Institute
Music director John Sigerson introduces the layman to the two
revolutions which finally succeeded, three centuries later, in fully
grasping the implications of Brunelleschi’s principle in the musical
domain: the discovery of the well-tempered musical domain elaborated by
Johann Sebastian Bach, and Haydn’s (and Mozart’s) discovery of an
entirely new method of composition, Motivführung (motivic
thorough-composition), which eliminates all arbitrary formalisms, making
possible the full development of what Lyndon LaRouche describes as a
“musical thought-object.”
Still it's interesting, if we had this Dufay type of music as popular music today, it would certainly be a step up.
There is an interesting contrast of the quiet parts in the Dufay piece, and the sections with blaring trumpets... yet, in the sense of Haydn and Mozart and the Motivfuhrung (fully composed piece with movement and development of a theme) it really doesn't go anywhere.
Lesson here (link to Motivfuhrung page)
Nuper
Rosarum Flores ("Recently Flowers of Roses/The Rose Blossoms
Recently"), is a motet composed by Guillaume Dufay for the 25 March 1436
consecration of the Florence cathedral, on the occasion of the
completion of the dome built under the instructions of Filippo
Brunelleschi.
The two homographic tenors, which define the overall structural plan of the piece, are both based on a Gregorian cantus firmus melody taken from the introit for the consecration of churches, Terribilis est locus iste ('Awesome is this place', Genesis 28:17), a fifth apart and with different, interlocking rhythmic configurations.
The title of the piece stems from the name of the cathedral itself: Santa Maria del Fiore, or St. Mary of the Flower. The opening lines of Dufay's text refers to Pope Eugene IV's gift to the cathedral, and to the city of Florence, of a golden rose to decorate the high altar—a gift made the week before the dedication.
Read more at:
http://en.wikipedia.org/wiki/Nuper_ro...
Nuper rosarum flores
Ex dono pontificis
Hieme licet horrida
Tibi, virgo coelica,
Pie et sancte deditum
Grandis templum machinae
Condecorarunt perpetim.
Hodie vicarius
Jesu Christi et Petri
Successor Eugenius
Hoc idem amplissimum
Sacris templum manibus
Sanctisque liquoribus
Consecrare dignatus est.
Igitur, alma parens
Nati tui et filia
Virgo decus virginum,
Tuus te Florentiae
Devotus orat populus,
Ut qui mente et corpore
Mundo quicquam exorarit
Oratione tua
Cruciatus et meritis
Tui secundum carnem
Nati Domini sui
Grata beneficia
Veniamque reatum
Accipere mereatur.
Amen.
(Cantus firmus:
Terribilis est locus iste)
I do not own the rights of this audio. It's free to download at the following link.
https://archive.org/details/Dufay-Nup...
The two homographic tenors, which define the overall structural plan of the piece, are both based on a Gregorian cantus firmus melody taken from the introit for the consecration of churches, Terribilis est locus iste ('Awesome is this place', Genesis 28:17), a fifth apart and with different, interlocking rhythmic configurations.
The title of the piece stems from the name of the cathedral itself: Santa Maria del Fiore, or St. Mary of the Flower. The opening lines of Dufay's text refers to Pope Eugene IV's gift to the cathedral, and to the city of Florence, of a golden rose to decorate the high altar—a gift made the week before the dedication.
Read more at:
http://en.wikipedia.org/wiki/Nuper_ro...
Nuper rosarum flores
Ex dono pontificis
Hieme licet horrida
Tibi, virgo coelica,
Pie et sancte deditum
Grandis templum machinae
Condecorarunt perpetim.
Hodie vicarius
Jesu Christi et Petri
Successor Eugenius
Hoc idem amplissimum
Sacris templum manibus
Sanctisque liquoribus
Consecrare dignatus est.
Igitur, alma parens
Nati tui et filia
Virgo decus virginum,
Tuus te Florentiae
Devotus orat populus,
Ut qui mente et corpore
Mundo quicquam exorarit
Oratione tua
Cruciatus et meritis
Tui secundum carnem
Nati Domini sui
Grata beneficia
Veniamque reatum
Accipere mereatur.
Amen.
(Cantus firmus:
Terribilis est locus iste)
I do not own the rights of this audio. It's free to download at the following link.
https://archive.org/details/Dufay-Nup...
-
Category
-
License
- Standard YouTube License
-
Music
- "Nuper rosarum flores / Terribilis est" by Cantica Symphonia Listen ad-free with YouTube Red
Motivführung 101: Introduction to the Haydn-Mozart Revolution
by John Sigerson
March 11, 2017
Filippo Brunelleschi’s use of the principle of higher-order,
non-mathematical curvature in the construction of the cupola of the
Santa Maria del Fiore cathedral in Florence, Italy was not only a
crown
Nuper
Rosarum Flores ("Recently Flowers of Roses/The Rose Blossoms
Recently"), is a motet composed by Guillaume Dufay for the 25 March 1436
consecration of the Florence cathedral, on the occasion of the
completion of the dome built under the instructions of Filippo
Brunelleschi.
The two homographic tenors, which define the overall structural plan of the piece, are both based on a Gregorian cantus firmus melody taken from the introit for the consecration of churches, Terribilis est locus iste ('Awesome is this place', Genesis 28:17), a fifth apart and with different, interlocking rhythmic configurations.
The title of the piece stems from the name of the cathedral itself: Santa Maria del Fiore, or St. Mary of the Flower. The opening lines of Dufay's text refers to Pope Eugene IV's gift to the cathedral, and to the city o
The two homographic tenors, which define the overall structural plan of the piece, are both based on a Gregorian cantus firmus melody taken from the introit for the consecration of churches, Terribilis est locus iste ('Awesome is this place', Genesis 28:17), a fifth apart and with different, interlocking rhythmic configurations.
The title of the piece stems from the name of the cathedral itself: Santa Maria del Fiore, or St. Mary of the Flower. The opening lines of Dufay's text refers to Pope Eugene IV's gift to the cathedral, and to the city o
Nuper
Rosarum Flores ("Recently Flowers of Roses/The Rose Blossoms
Recently"), is a motet composed by Guillaume Dufay for the 25 March 1436
consecration of the Florence cathedral, on the occasion of the
completion of the dome built under the instructions of Filippo
Brunelleschi.
The two homographic tenors, which define the overall structural plan of the piece, are both based on a Gregorian cantus firmus melody taken from the introit for the consecration of churches, Terribilis est locus iste ('Awesome is this place', Genesis 28:17), a fifth apart and with different, interlocking rhythmic configurations.
The title of the piece stems from the name of the cathedral itself: Santa Maria del Fiore, or St. Mary of the Flower. The opening lines of Dufay's text refers to Pope Eugene IV's gift to the cathedral, and to the city of Florence, of a golden rose to decorate the high altar—a gift made the week before the dedication.
Read more at:
http://en.wikipedia.org/wiki/Nuper_ro...
The two homographic tenors, which define the overall structural plan of the piece, are both based on a Gregorian cantus firmus melody taken from the introit for the consecration of churches, Terribilis est locus iste ('Awesome is this place', Genesis 28:17), a fifth apart and with different, interlocking rhythmic configurations.
The title of the piece stems from the name of the cathedral itself: Santa Maria del Fiore, or St. Mary of the Flower. The opening lines of Dufay's text refers to Pope Eugene IV's gift to the cathedral, and to the city of Florence, of a golden rose to decorate the high altar—a gift made the week before the dedication.
Read more at:
http://en.wikipedia.org/wiki/Nuper_ro...
Nuper
Rosarum Flores ("Recently Flowers of Roses/The Rose Blossoms
Recently"), is a motet composed by Guillaume Dufay for the 25 March 1436
consecration of the Florence cathedral, on the occasion of the
completion of the dome built under the instructions of Filippo
Brunelleschi.
The two homographic tenors, which define the overall structural plan of the piece, are both based on a Gregorian cantus firmus melody taken from the introit for the consecration of churches, Terribilis est locus iste ('Awesome is this place', Genesis 28:17), a fifth apart and with different, interlocking rhythmic configurations.
The title of the piece stems from the name of the cathedral itself: Santa Maria del Fiore, or St. Mary of the Flower. The opening lines of Dufay's text refers to Pope Eugene IV's gift to the cathedral, and to the city of Florence, of a golden rose to decorate the high altar—a gift made the week before the dedication.
Read more at:
http://en.wikipedia.org/wiki/Nuper_ro...
Nuper rosarum flores
Ex dono pontificis
Hieme licet horrida
Tibi, virgo coelica,
Pie et sancte deditum
Grandis templum machinae
Condecorarunt perpetim.
Hodie vicarius
Jesu Christi et Petri
Successor Eugenius
Hoc idem amplissimum
Sacris templum manibus
Sanctisque liquoribus
Consecrare dignatus est.
Igitur, alma parens
Nati tui et filia
Virgo decus virginum,
Tuus te Florentiae
Devotus orat populus,
Ut qui mente et corpore
Mundo quicquam exorarit
Oratione tua
Cruciatus et meritis
Tui secundum carnem
Nati Domini sui
Grata beneficia
The two homographic tenors, which define the overall structural plan of the piece, are both based on a Gregorian cantus firmus melody taken from the introit for the consecration of churches, Terribilis est locus iste ('Awesome is this place', Genesis 28:17), a fifth apart and with different, interlocking rhythmic configurations.
The title of the piece stems from the name of the cathedral itself: Santa Maria del Fiore, or St. Mary of the Flower. The opening lines of Dufay's text refers to Pope Eugene IV's gift to the cathedral, and to the city of Florence, of a golden rose to decorate the high altar—a gift made the week before the dedication.
Read more at:
http://en.wikipedia.org/wiki/Nuper_ro...
Nuper rosarum flores
Ex dono pontificis
Hieme licet horrida
Tibi, virgo coelica,
Pie et sancte deditum
Grandis templum machinae
Condecorarunt perpetim.
Hodie vicarius
Jesu Christi et Petri
Successor Eugenius
Hoc idem amplissimum
Sacris templum manibus
Sanctisque liquoribus
Consecrare dignatus est.
Igitur, alma parens
Nati tui et filia
Virgo decus virginum,
Tuus te Florentiae
Devotus orat populus,
Ut qui mente et corpore
Mundo quicquam exorarit
Oratione tua
Cruciatus et meritis
Tui secundum carnem
Nati Domini sui
Grata beneficia
Nuper
Rosarum Flores ("Recently Flowers of Roses/The Rose Blossoms
Recently"), is a motet composed by Guillaume Dufay for the 25 March 1436
consecration of the Florence cathedral, on the occasion of the
completion of the dome built under the instructions of Filippo
Brunelleschi.
The two homographic tenors, which define the overall structural plan of the piece, are both based on a Gregorian cantus firmus melody taken from the introit for the consecration of churches, Terribilis est locus iste ('Awesome is this place', Genesis 28:17), a fifth apart and with different, interlocking rhythmic configurations.
The two homographic tenors, which define the overall structural plan of the piece, are both based on a Gregorian cantus firmus melody taken from the introit for the consecration of churches, Terribilis est locus iste ('Awesome is this place', Genesis 28:17), a fifth apart and with different, interlocking rhythmic configurations.
Nuper
Rosarum Flores ("Recently Flowers of Roses/The Rose Blossoms
Recently"), is a motet composed by Guillaume Dufay for the 25 March 1436
consecration of the Florence cathedral, on the occasion of the
completion of the dome built under the instructions of Filippo
Brunelleschi.
The two homographic tenors, which define the overall structural plan of the piece, are both based on a Gregorian cantus firmus melody taken from the introit for the consecration of churches, Terribilis est locus iste ('Awesome is this place', Genesis 28:17), a fifth apart and with different, interlocking rhythmic configurations.
The title of the piece stems from the name of the cathedral itself: Santa Maria del Fiore, or St. Mary of the Flower. The opening lines of Dufay's text refers to Pope Eugene IV's gift to the cathedral, and to the city of Florence, of a golden rose to decorate the high altar—a gift made the week before the dedication.
Read more at:
http://en.wikipedia.org/wiki/Nuper_ro...
Nuper rosarum flores
Ex dono pontificis
Hieme licet horrida
Tibi, virgo coelica,
Pie et sancte deditum
The two homographic tenors, which define the overall structural plan of the piece, are both based on a Gregorian cantus firmus melody taken from the introit for the consecration of churches, Terribilis est locus iste ('Awesome is this place', Genesis 28:17), a fifth apart and with different, interlocking rhythmic configurations.
The title of the piece stems from the name of the cathedral itself: Santa Maria del Fiore, or St. Mary of the Flower. The opening lines of Dufay's text refers to Pope Eugene IV's gift to the cathedral, and to the city of Florence, of a golden rose to decorate the high altar—a gift made the week before the dedication.
Read more at:
http://en.wikipedia.org/wiki/Nuper_ro...
Nuper rosarum flores
Ex dono pontificis
Hieme licet horrida
Tibi, virgo coelica,
Pie et sancte deditum
Nuper
Rosarum Flores ("Recently Flowers of Roses/The Rose Blossoms
Recently"), is a motet composed by Guillaume Dufay for the 25 March 1436
consecration of the Florence cathedral, on the occasion of the
completion of the dome built under the instructions of Filippo
Brunelleschi.
The two homographic tenors, which define the overall structural plan of the piece, are both based on a Gregorian cantus firmus melody taken from the introit for the consecration of churches, Terribilis est locus iste ('Awesome is this place', Genesis 28:17), a fifth apart and with different, interlocking rhythmic configurations.
The title of the piece stems from the name of the cathedral itself: Santa Maria del Fiore, or St. Mary of the Flower. The opening lines of Dufay's text refers to Pope Eugene IV's gift to the cathedral, and to the city of Florence, of a golden rose to decorate the high altar—a gift made the week before the dedication.
Read more at:
http://en.wikipedia.org/wiki/Nuper_ro...
Nuper rosarum flores
Ex dono pontificis
Hieme licet horrida
Tibi, virgo coelica,
Pie et sancte deditum
The two homographic tenors, which define the overall structural plan of the piece, are both based on a Gregorian cantus firmus melody taken from the introit for the consecration of churches, Terribilis est locus iste ('Awesome is this place', Genesis 28:17), a fifth apart and with different, interlocking rhythmic configurations.
The title of the piece stems from the name of the cathedral itself: Santa Maria del Fiore, or St. Mary of the Flower. The opening lines of Dufay's text refers to Pope Eugene IV's gift to the cathedral, and to the city of Florence, of a golden rose to decorate the high altar—a gift made the week before the dedication.
Read more at:
http://en.wikipedia.org/wiki/Nuper_ro...
Nuper rosarum flores
Ex dono pontificis
Hieme licet horrida
Tibi, virgo coelica,
Pie et sancte deditum
Nuper
Rosarum Flores ("Recently Flowers of Roses/The Rose Blossoms
Recently"), is a motet composed by Guillaume Dufay for the 25 March 1436
consecration of the Florence cathedral, on the occasion of the
completion of the dome built under the instructions of Filippo
Brunelleschi.
The two homographic tenors, which define the overall structural plan of the piece, are both based on a Gregorian cantus firmus melody taken from the introit for the consecration of churches, Terribilis est locus iste ('Awesome is this place', Genesis 28:17), a fifth apart and with different, interlocking rhythmic configurations.
The title of the piece stems from the name of the cathedral itself: Santa Maria del Fiore, or St. Mary of the Flower. The opening lines of Dufay's text refers to Pope Eugene IV's gift to the cathedral, and to the city of Florence, of a golden rose to decorate the high altar—a gift made the week before the dedication.
Read more at:
http://en.wikipedia.org/wiki/Nuper_ro...
Nuper rosarum flores
Ex dono pontificis
Hieme licet horrida
Tibi, virgo coelica,
Pie et sancte deditum
Grandis templum machinae
Condecorarunt perpetim.
Hodie vicarius
Jesu Christi et Petri
Successor Eugenius
Hoc idem amplissimum
Sacris templum manibus
Sanctisque liquoribus
Consecrare dignatus est.
Igitur, alma parens
Nati tui et filia
Virgo decus virginum,
Tuus te Florentiae
Devotus orat populus,
Ut qui mente et corpore
Mundo quicquam exorarit
Oratione tua
Cruciatus et meritis
Tui secundum carnem
Nati Domini sui
Grata beneficia
Veniamque reatum
Accipere mereatur.
Amen.
(Cantus firmus:
Terribilis est locus iste)
I do not own the rights of this audio. It's free to download at the following link.
https://archive.org/details/Dufay-Nup...
The two homographic tenors, which define the overall structural plan of the piece, are both based on a Gregorian cantus firmus melody taken from the introit for the consecration of churches, Terribilis est locus iste ('Awesome is this place', Genesis 28:17), a fifth apart and with different, interlocking rhythmic configurations.
The title of the piece stems from the name of the cathedral itself: Santa Maria del Fiore, or St. Mary of the Flower. The opening lines of Dufay's text refers to Pope Eugene IV's gift to the cathedral, and to the city of Florence, of a golden rose to decorate the high altar—a gift made the week before the dedication.
Read more at:
http://en.wikipedia.org/wiki/Nuper_ro...
Nuper rosarum flores
Ex dono pontificis
Hieme licet horrida
Tibi, virgo coelica,
Pie et sancte deditum
Grandis templum machinae
Condecorarunt perpetim.
Hodie vicarius
Jesu Christi et Petri
Successor Eugenius
Hoc idem amplissimum
Sacris templum manibus
Sanctisque liquoribus
Consecrare dignatus est.
Igitur, alma parens
Nati tui et filia
Virgo decus virginum,
Tuus te Florentiae
Devotus orat populus,
Ut qui mente et corpore
Mundo quicquam exorarit
Oratione tua
Cruciatus et meritis
Tui secundum carnem
Nati Domini sui
Grata beneficia
Veniamque reatum
Accipere mereatur.
Amen.
(Cantus firmus:
Terribilis est locus iste)
I do not own the rights of this audio. It's free to download at the following link.
https://archive.org/details/Dufay-Nup...
-
Category
-
License
- Standard YouTube License
-
Music
- "Nuper rosarum flores / Terribilis est" by Cantica Symphonia Listen ad-free with YouTube Red
Grandis templum machinae
Condecorarunt perpetim.
Hodie vicarius
Jesu Christi et Petri
Successor Eugenius
Hoc idem amplissimum
Sacris templum manibus
Sanctisque liquoribus
Consecrare dignatus est.
Igitur, alma parens
Nati tui et filia
Virgo decus virginum,
Tuus te Florentiae
Devotus orat populus,
Ut qui mente et corpore
Mundo quicquam exorarit
Condecorarunt perpetim.
Hodie vicarius
Jesu Christi et Petri
Successor Eugenius
Hoc idem amplissimum
Sacris templum manibus
Sanctisque liquoribus
Consecrare dignatus est.
Igitur, alma parens
Nati tui et filia
Virgo decus virginum,
Tuus te Florentiae
Devotus orat populus,
Ut qui mente et corpore
Mundo quicquam exorarit
Nuper
Rosarum Flores ("Recently Flowers of Roses/The Rose Blossoms
Recently"), is a motet composed by Guillaume Dufay for the 25 March 1436
consecration of the Florence cathedral, on the occasion of the
completion of the dome built under the instructions of Filippo
Brunelleschi.
The two homographic tenors, which define the overall structural plan of the piece, are both based on a Gregorian cantus firmus melody taken from the introit for the consecration of churches, Terribilis est locus iste ('Awesome is this place', Genesis 28:17), a fifth apart and with different, interlocking rhythmic configurations.
The title of the piece stems from the name of the cathe
The two homographic tenors, which define the overall structural plan of the piece, are both based on a Gregorian cantus firmus melody taken from the introit for the consecration of churches, Terribilis est locus iste ('Awesome is this place', Genesis 28:17), a fifth apart and with different, interlocking rhythmic configurations.
The title of the piece stems from the name of the cathe
Nuper
Rosarum Flores ("Recently Flowers of Roses/The Rose Blossoms
Recently"), is a motet composed by Guillaume Dufay for the 25 March 1436
consecration of the Florence cathedral, on the occasion of the
completion of the dome built under the instructions of Filippo
Brunelleschi.
The two homographic tenors, which define the overall structural plan of the piece, are both based on a Gregorian cantus firmus melody taken from the introit for the consecration of churches, Terribilis est locus iste ('Awesome is this place', Genesis 28:17), a fifth apart and with different, interlocking rhythmic configurations.
The title of the piece stems from the name of the cathedral itself: Santa Maria del Fiore, or St. Mary of the Flower. The opening lines of Dufay's text refers to Pope Eugene IV's gift to the cathedral, and to the city of Florence, of a golden rose to decorate the high altar—a gift made the week before the dedication.
Read more at:
http://en.wikipedia.org/wiki/Nuper_ro...
Nuper rosarum flores
Ex dono pontificis
Hieme licet horrida
Tibi, virgo coelica,
Pie et sancte deditum
The two homographic tenors, which define the overall structural plan of the piece, are both based on a Gregorian cantus firmus melody taken from the introit for the consecration of churches, Terribilis est locus iste ('Awesome is this place', Genesis 28:17), a fifth apart and with different, interlocking rhythmic configurations.
The title of the piece stems from the name of the cathedral itself: Santa Maria del Fiore, or St. Mary of the Flower. The opening lines of Dufay's text refers to Pope Eugene IV's gift to the cathedral, and to the city of Florence, of a golden rose to decorate the high altar—a gift made the week before the dedication.
Read more at:
http://en.wikipedia.org/wiki/Nuper_ro...
Nuper rosarum flores
Ex dono pontificis
Hieme licet horrida
Tibi, virgo coelica,
Pie et sancte deditum
Nuper
Rosarum Flores ("Recently Flowers of Roses/The Rose Blossoms
Recently"), is a motet composed by Guillaume Dufay for the 25 March 1436
consecration of the Florence cathedral, on the occasion of the
completion of the dome built under the instructions of Filippo
Brunelleschi.
The two homographic tenors, which define the overall structural plan of the piece, are both based on a Gregorian cantus firmus melody taken from the introit for the consecration of churches, Terribilis est locus iste ('Awesome is this place', Genesis 28:17), a fifth apart and with different, interlocking rhythmic configurations.
The title of the piece stems from the name of the cathedral itself: Santa Maria del Fiore, or St. Mary of the Flower. The opening lines of Dufay's text refers to Pope Eugene IV's gift to the cathedral, and to the city of Florence, of a golden rose to decorate the high altar—a gift made the week before the dedication.
Read more at:
http://en.wikipedia.org/wiki/Nuper_ro...
Nuper rosarum flores
Ex dono pontificis
Hieme licet horrida
Tibi, virgo coelica,
Pie et sancte deditum
The two homographic tenors, which define the overall structural plan of the piece, are both based on a Gregorian cantus firmus melody taken from the introit for the consecration of churches, Terribilis est locus iste ('Awesome is this place', Genesis 28:17), a fifth apart and with different, interlocking rhythmic configurations.
The title of the piece stems from the name of the cathedral itself: Santa Maria del Fiore, or St. Mary of the Flower. The opening lines of Dufay's text refers to Pope Eugene IV's gift to the cathedral, and to the city of Florence, of a golden rose to decorate the high altar—a gift made the week before the dedication.
Read more at:
http://en.wikipedia.org/wiki/Nuper_ro...
Nuper rosarum flores
Ex dono pontificis
Hieme licet horrida
Tibi, virgo coelica,
Pie et sancte deditum
Nuper
Rosarum Flores ("Recently Flowers of Roses/The Rose Blossoms
Recently"), is a motet composed by Guillaume Dufay for the 25 March 1436
consecration of the Florence cathedral, on the occasion of the
completion of the dome built under the instructions of Filippo
Brunelleschi.
The two homographic tenors, which define the overall structural plan of the piece, are both based on a Gregorian cantus firmus melody taken from the introit for the consecration of churches, Terribilis est locus iste ('Awesome is this place', Genesis 28:17), a fifth apart and with different, interlocking rhythmic configurations.
The title of the piece stems from the name of the cathedral itself: Santa Maria del Fiore, or St. Mary of the Flower. The opening lines of Dufay's text refers to Pope Eugene IV's gift to the cathedral, and to the city of Florence, of a golden rose to decorate the high altar—a gift made the week before the dedication.
Read more at:
http://en.wikipedia.org/wiki/Nuper_ro...
Nuper rosarum flores
Ex dono pontificis
Hieme licet horrida
Tibi, virgo coelica,
Pie et sancte deditum
Grandis templum machinae
Condecorarunt perpetim.
Hodie vicarius
Jesu Christi et Petri
Successor Eugenius
Hoc idem amplissimum
Sacris templum manibus
Sanctisque liquoribus
Consecrare dignatus est.
Igitur, alma parens
Nati tui et filia
Virgo decus virginum,
Tuus te Florentiae
Devotus orat populus,
Ut qui mente et corpore
Mundo quicquam exorarit
Oratione tua
Cruciatus et meritis
Tui secundum carnem
Nati Domini sui
Grata beneficia
Veniamque reatum
Accipere mereatur.
Amen.
(Cantus firmus:
Terribilis est locus iste)
I do not own the rights of this audio. It's free to download at the following link.
https://archive.org/details/Dufay-Nup...
The two homographic tenors, which define the overall structural plan of the piece, are both based on a Gregorian cantus firmus melody taken from the introit for the consecration of churches, Terribilis est locus iste ('Awesome is this place', Genesis 28:17), a fifth apart and with different, interlocking rhythmic configurations.
The title of the piece stems from the name of the cathedral itself: Santa Maria del Fiore, or St. Mary of the Flower. The opening lines of Dufay's text refers to Pope Eugene IV's gift to the cathedral, and to the city of Florence, of a golden rose to decorate the high altar—a gift made the week before the dedication.
Read more at:
http://en.wikipedia.org/wiki/Nuper_ro...
Nuper rosarum flores
Ex dono pontificis
Hieme licet horrida
Tibi, virgo coelica,
Pie et sancte deditum
Grandis templum machinae
Condecorarunt perpetim.
Hodie vicarius
Jesu Christi et Petri
Successor Eugenius
Hoc idem amplissimum
Sacris templum manibus
Sanctisque liquoribus
Consecrare dignatus est.
Igitur, alma parens
Nati tui et filia
Virgo decus virginum,
Tuus te Florentiae
Devotus orat populus,
Ut qui mente et corpore
Mundo quicquam exorarit
Oratione tua
Cruciatus et meritis
Tui secundum carnem
Nati Domini sui
Grata beneficia
Veniamque reatum
Accipere mereatur.
Amen.
(Cantus firmus:
Terribilis est locus iste)
I do not own the rights of this audio. It's free to download at the following link.
https://archive.org/details/Dufay-Nup...
-
Category
-
License
- Standard YouTube License
-
Music
- "Nuper rosarum flores / Terribilis est" by Cantica Symphonia Listen ad-free with YouTube Red
Grandis templum machinae
Condecorarunt perpetim.
Hodie vicarius
Jesu Christi et Petri
Successor Eugenius
Hoc idem amplissimum
Sacris templum manibus
Sanctisque liquoribus
Consecrare dignatus est.
Igitur, alma parens
Nati tui et filia
Virgo decus virginum,
Tuus te Florentiae
Devotus orat populus,
Ut qui mente et corpore
Mundo quicquam exorarit
Oratione tua
Cruciatus et meritis
Tui secundum carnem
Nati Domini sui
Grata beneficia
Veniamque reatum
Accipere mereatur.
Amen.
(Cantus firmus:
Terribilis est locus iste)
I do not own the rights of this audio. It's free to download at the following link.
https://archive.org/details/Dufay-Nup...
Condecorarunt perpetim.
Hodie vicarius
Jesu Christi et Petri
Successor Eugenius
Hoc idem amplissimum
Sacris templum manibus
Sanctisque liquoribus
Consecrare dignatus est.
Igitur, alma parens
Nati tui et filia
Virgo decus virginum,
Tuus te Florentiae
Devotus orat populus,
Ut qui mente et corpore
Mundo quicquam exorarit
Oratione tua
Cruciatus et meritis
Tui secundum carnem
Nati Domini sui
Grata beneficia
Veniamque reatum
Accipere mereatur.
Amen.
(Cantus firmus:
Terribilis est locus iste)
I do not own the rights of this audio. It's free to download at the following link.
https://archive.org/details/Dufay-Nup...
-
Category
-
License
- Standard YouTube License
-
Music
- "Nuper rosarum flores / Terribilis est" by Cantica Symphonia Listen ad-free with YouTube Red
Grandis templum machinae
Condecorarunt perpetim.
Hodie vicarius
Jesu Christi et Petri
Successor Eugenius
Hoc idem amplissimum
Sacris templum manibus
Sanctisque liquoribus
Consecrare dignatus est.
Igitur, alma parens
Nati tui et filia
Virgo decus virginum,
Tuus te Florentiae
Devotus orat populus,
Ut qui mente et corpore
Mundo quicquam exorarit
Oratione tua
Cruciatus et meritis
Tui secundum carnem
Nati Domini sui
Grata beneficia
Veniamque reatum
Accipere mereatur.
Amen.
(Cantus firmus:
Terribilis est locus iste)
I do not own the rights of this audio. It's free to download at the following link.
https://archive.org/details/Dufay-Nup...
Condecorarunt perpetim.
Hodie vicarius
Jesu Christi et Petri
Successor Eugenius
Hoc idem amplissimum
Sacris templum manibus
Sanctisque liquoribus
Consecrare dignatus est.
Igitur, alma parens
Nati tui et filia
Virgo decus virginum,
Tuus te Florentiae
Devotus orat populus,
Ut qui mente et corpore
Mundo quicquam exorarit
Oratione tua
Cruciatus et meritis
Tui secundum carnem
Nati Domini sui
Grata beneficia
Veniamque reatum
Accipere mereatur.
Amen.
(Cantus firmus:
Terribilis est locus iste)
I do not own the rights of this audio. It's free to download at the following link.
https://archive.org/details/Dufay-Nup...
-
Category
-
License
- Standard YouTube License
-
Music
- "Nuper rosarum flores / Terribilis est" by Cantica Symphonia Listen ad-free with YouTube Red
dral itself: Santa
Maria del Fiore, or St. Mary of the Flower. The opening lines of Dufay's
text refers to Pope Eugene IV's gift to the cathedral, and to the city
of Florence, of a golden rose to decorate the high altar—a gift made the
week before the dedication.
Read more at:
http://en.wikipedia.org/wiki/Nuper_ro...
Nuper rosarum flores
Ex dono pontificis
Hieme licet horrida
Tibi, virgo coelica,
Pie et sancte deditum
Grandis templum machinae
Condecorarunt perpetim.
Hodie vicarius
Jesu Christi et Petri
Successor Eugenius
Hoc idem amplissimum
Sacris templum manibus
Sanctisque liquoribus
Consecrare dignatus est.
Igitur, alma parens
Nati tui et filia
Virgo decus virginum,
Tuus te Florentiae
Devotus orat populus,
Ut qui mente et corpore
Mundo quicquam exorarit
Oratione tua
Cruciatus et meritis
Tui secundum carnem
Nati Domini sui
Grata beneficia
Veniamque reatum
Accipere mereatur.
Amen.
(Cantus firmus:
Terribilis est locus iste)
I do not own the rights of this audio. It's free to download at the following link.
https://archive.org/details/Dufay-Nup...
Read more at:
http://en.wikipedia.org/wiki/Nuper_ro...
Nuper rosarum flores
Ex dono pontificis
Hieme licet horrida
Tibi, virgo coelica,
Pie et sancte deditum
Grandis templum machinae
Condecorarunt perpetim.
Hodie vicarius
Jesu Christi et Petri
Successor Eugenius
Hoc idem amplissimum
Sacris templum manibus
Sanctisque liquoribus
Consecrare dignatus est.
Igitur, alma parens
Nati tui et filia
Virgo decus virginum,
Tuus te Florentiae
Devotus orat populus,
Ut qui mente et corpore
Mundo quicquam exorarit
Oratione tua
Cruciatus et meritis
Tui secundum carnem
Nati Domini sui
Grata beneficia
Veniamque reatum
Accipere mereatur.
Amen.
(Cantus firmus:
Terribilis est locus iste)
I do not own the rights of this audio. It's free to download at the following link.
https://archive.org/details/Dufay-Nup...
-
Category
-
License
- Standard YouTube License
-
Music
- "Nuper rosarum flores / Terribilis est" by Cantica Symphonia Listen ad-free with YouTube Red
Oratione tua
Cruciatus et meritis
Tui secundum carnem
Nati Domini sui
Grata beneficia
Veniamque reatum
Accipere mereatur.
Amen.
(Cantus firmus:
Terribilis est locus iste)
I do not own the rights of this audio. It's free to download at the following link.
https://archive.org/details/Dufay-Nup...
-
Category
-
License
- Standard YouTube License
-
Music
- "Nuper rosarum flores / Terribilis est" by Cantica Symphonia Listen ad-free with YouTube Red
Grandis templum machinae
Condecorarunt perpetim.
Hodie vicarius
Jesu Christi et Petri
Successor Eugenius
Hoc idem amplissimum
Sacris templum manibus
Sanctisque liquoribus
Consecrare dignatus est.
Igitur, alma parens
Nati tui et filia
Virgo decus virginum,
Tuus te Florentiae
Devotus orat populus,
Ut qui mente et corpore
Mundo quicquam exorarit
Oratione tua
Cruciatus et meritis
Tui secundum carnem
Nati Domini sui
Grata beneficia
Veniamque reatum
Accipere mereatur.
Amen.
(Cantus firmus:
Terribilis est locus iste)
I do not own the rights of this audio. It's free to download at the following link.
https://archive.org/details/Dufay-Nup...
Condecorarunt perpetim.
Hodie vicarius
Jesu Christi et Petri
Successor Eugenius
Hoc idem amplissimum
Sacris templum manibus
Sanctisque liquoribus
Consecrare dignatus est.
Igitur, alma parens
Nati tui et filia
Virgo decus virginum,
Tuus te Florentiae
Devotus orat populus,
Ut qui mente et corpore
Mundo quicquam exorarit
Oratione tua
Cruciatus et meritis
Tui secundum carnem
Nati Domini sui
Grata beneficia
Veniamque reatum
Accipere mereatur.
Amen.
(Cantus firmus:
Terribilis est locus iste)
I do not own the rights of this audio. It's free to download at the following link.
https://archive.org/details/Dufay-Nup...
-
Category
-
License
- Standard YouTube License
-
Music
- "Nuper rosarum flores / Terribilis est" by Cantica Symphonia Listen ad-free with YouTube Red
The
title of the piece stems from the name of the cathedral itself: Santa
Maria del Fiore, or St. Mary of the Flower. The opening lines of Dufay's
text refers to Pope Eugene IV's gift to the cathedral, and to the city
of Florence, of a golden rose to decorate the high altar—a gift made the
week before the dedication.
Read more at:
http://en.wikipedia.org/wiki/Nuper_ro...
Nuper rosarum flores
Ex dono pontificis
Hieme licet horrida
Tibi, virgo coelica,
Pie et sancte deditum
Grandis templum machinae
Condecorarunt perpetim.
Hodie vicarius
Jesu Christi et Petri
Successor Eugenius
Hoc idem amplissimum
Sacris templum manibus
Sanctisque liquoribus
Consecrare dignatus est.
Igitur, alma parens
Nati tui et filia
Virgo decus virginum,
Tuus te Florentiae
Devotus orat populus,
Ut qui mente et corpore
Mundo quicquam exorarit
Oratione tua
Cruciatus et meritis
Tui secundum carnem
Nati Domini sui
Grata beneficia
Veniamque reatum
Accipere mereatur.
Amen.
(Cantus firmus:
Terribilis est locus iste)
I do not own the rights of this audio. It's free to download at the following link.
https://archive.org/details/Dufay-Nup...
Read more at:
http://en.wikipedia.org/wiki/Nuper_ro...
Nuper rosarum flores
Ex dono pontificis
Hieme licet horrida
Tibi, virgo coelica,
Pie et sancte deditum
Grandis templum machinae
Condecorarunt perpetim.
Hodie vicarius
Jesu Christi et Petri
Successor Eugenius
Hoc idem amplissimum
Sacris templum manibus
Sanctisque liquoribus
Consecrare dignatus est.
Igitur, alma parens
Nati tui et filia
Virgo decus virginum,
Tuus te Florentiae
Devotus orat populus,
Ut qui mente et corpore
Mundo quicquam exorarit
Oratione tua
Cruciatus et meritis
Tui secundum carnem
Nati Domini sui
Grata beneficia
Veniamque reatum
Accipere mereatur.
Amen.
(Cantus firmus:
Terribilis est locus iste)
I do not own the rights of this audio. It's free to download at the following link.
https://archive.org/details/Dufay-Nup...
-
Category
-
License
- Standard YouTube License
-
Music
- "Nuper rosarum flores / Terribilis est" by Cantica Symphonia Listen ad-free with YouTube Red
Veniamque reatum
Accipere mereatur.
Amen.
(Cantus firmus:
Terribilis est locus iste)
I do not own the rights of this audio. It's free to download at the following link.
https://archive.org/details/Dufay-Nup...
Accipere mereatur.
Amen.
(Cantus firmus:
Terribilis est locus iste)
I do not own the rights of this audio. It's free to download at the following link.
https://archive.org/details/Dufay-Nup...
-
Category
-
License
- Standard YouTube License
-
Music
- "Nuper rosarum flores / Terribilis est" by Cantica Symphonia Listen ad-free with YouTube Red
Nuper rosarum flores
Ex dono pontificis
Hieme licet horrida
Tibi, virgo coelica,
Pie et sancte deditum
Grandis templum machinae
Condecorarunt perpetim.
Hodie vicarius
Jesu Christi et Petri
Successor Eugenius
Hoc idem amplissimum
Sacris templum manibus
Sanctisque liquoribus
Consecrare dignatus est.
Igitur, alma parens
Nati tui et filia
Virgo decus virginum,
Tuus te Florentiae
Devotus orat populus,
Ut qui mente et corpore
Mundo quicquam exorarit
Oratione tua
Cruciatus et meritis
Tui secundum carnem
Nati Domini sui
Grata beneficia
Veniamque reatum
Accipere mereatur.
Amen.
(Cantus firmus:
Terribilis est locus iste)
I do not own the rights of this audio. It's free to download at the following link.
https://archive.org/details/Dufay-Nup...
-
Category
-
License
- Standard YouTube License
-
Music
- "Nuper rosarum flores / Terribilis est" by Cantica Symphonia Listen ad-free with YouTube Red
f Florence, of a golden rose to decorate the high altar—a gift made the
week before the dedication.
Read more at:
http://en.wikipedia.org/wiki/Nuper_ro...
Nuper rosarum flores
Ex dono pontificis
Hieme licet horrida
Tibi, virgo coelica,
Pie et sancte deditum
Grandis templum machinae
Condecorarunt perpetim.
Hodie vicarius
Jesu Christi et Petri
Successor Eugenius
Hoc idem amplissimum
Sacris templum manibus
Sanctisque liquoribus
Consecrare dignatus est.
Igitur, alma parens
Nati tui et filia
Virgo decus virginum,
Tuus te Florentiae
Devotus orat populus,
Ut qui mente et corpore
Mundo quicquam exorarit
Read more at:
http://en.wikipedia.org/wiki/Nuper_ro...
Nuper rosarum flores
Ex dono pontificis
Hieme licet horrida
Tibi, virgo coelica,
Pie et sancte deditum
Grandis templum machinae
Condecorarunt perpetim.
Hodie vicarius
Jesu Christi et Petri
Successor Eugenius
Hoc idem amplissimum
Sacris templum manibus
Sanctisque liquoribus
Consecrare dignatus est.
Igitur, alma parens
Nati tui et filia
Virgo decus virginum,
Tuus te Florentiae
Devotus orat populus,
Ut qui mente et corpore
Mundo quicquam exorarit
Nuper
Rosarum Flores ("Recently Flowers of Roses/The Rose Blossoms
Recently"), is a motet composed by Guillaume Dufay for the 25 March 1436
consecration of the Florence cathedral, on the occasion of the
completion of the dome built under the instructions of Filippo
Brunelleschi.
The two homographic tenors, which define the overall structural plan of the piece, are both based on a Gregorian cantus firmus melody taken from the introit for the consecration of churches, Terribilis est locus iste ('Awesome is this place', Genesis 28:17), a fifth apart and with different, interlocking rhythmic configurations.
The title of the piece stems from the name of the cathedral itself: Santa Maria del Fiore, or St. Mary of the Flower. The opening lines of Dufay's text refers to Pope Eugene IV's gift to the cathedral, and to the city of Florence, of a golden rose to decorate the high altar—a gift made the week before the dedication.
Read more at:
http://en.wikipedia.org/wiki/Nuper_ro...
Nuper rosarum flores
Ex dono pontificis
Hieme licet horrida
Tibi, virgo coelica,
Pie et sancte deditum
Grandis templum machinae
Condecorarunt perpetim.
Hodie vicarius
Jesu Christi et Petri
Successor Eugenius
Hoc idem amplissimum
Sacris templum manibus
Sanctisque liquoribus
Consecrare dignatus est.
Igitur, alma parens
Nati tui et filia
Virgo decus virginum,
Tuus te Florentiae
Devotus orat populus,
Ut qui mente et corpore
Mundo quicquam exorarit
Oratione tua
Cruciatus et meritis
Tui secundum carnem
Nati Domini sui
Grata beneficia
Veniamque reatum
Accipere mereatur.
Amen.
(Cantus firmus:
Terribilis est locus iste)
I do not own the rights of this audio. It's free to download at the following link.
https://archive.org/details/Dufay-Nup...
The two homographic tenors, which define the overall structural plan of the piece, are both based on a Gregorian cantus firmus melody taken from the introit for the consecration of churches, Terribilis est locus iste ('Awesome is this place', Genesis 28:17), a fifth apart and with different, interlocking rhythmic configurations.
The title of the piece stems from the name of the cathedral itself: Santa Maria del Fiore, or St. Mary of the Flower. The opening lines of Dufay's text refers to Pope Eugene IV's gift to the cathedral, and to the city of Florence, of a golden rose to decorate the high altar—a gift made the week before the dedication.
Read more at:
http://en.wikipedia.org/wiki/Nuper_ro...
Nuper rosarum flores
Ex dono pontificis
Hieme licet horrida
Tibi, virgo coelica,
Pie et sancte deditum
Grandis templum machinae
Condecorarunt perpetim.
Hodie vicarius
Jesu Christi et Petri
Successor Eugenius
Hoc idem amplissimum
Sacris templum manibus
Sanctisque liquoribus
Consecrare dignatus est.
Igitur, alma parens
Nati tui et filia
Virgo decus virginum,
Tuus te Florentiae
Devotus orat populus,
Ut qui mente et corpore
Mundo quicquam exorarit
Oratione tua
Cruciatus et meritis
Tui secundum carnem
Nati Domini sui
Grata beneficia
Veniamque reatum
Accipere mereatur.
Amen.
(Cantus firmus:
Terribilis est locus iste)
I do not own the rights of this audio. It's free to download at the following link.
https://archive.org/details/Dufay-Nup...
-
Category
-
License
- Standard YouTube License
-
Music
- "Nuper rosarum flores / Terribilis est" by Cantica Symphonia Listen ad-free with YouTube Red
Oratione tua
Cruciatus et meritis
Tui secundum carnem
Nati Domini sui
Grata beneficia
Veniamque reatum
Accipere mereatur.
Amen.
Nuper
Rosarum Flores ("Recently Flowers of Roses/The Rose Blossoms
Recently"), is a motet composed by Guillaume Dufay for the 25 March 1436
consecration of the Florence cathedral, on the occasion of the
completion of the dome built under the instructions of Filippo
Brunelleschi.
The two homographic tenors, which define the overall structural plan of the piece, are both based on a Gregorian cantus firmus melody taken from the introit for the consecration of churches, Terribilis est locus iste ('Awesome is this place', Genesis 28:17), a fifth apart and with different, interlocking rhythmic configurations.
The title of the piece stems from the name of the cathedral itself: Santa Maria del Fiore, or St. Mary of the Flower. The opening lines of Dufay's text refers to Pope Eugene IV's gift to the cathedral, and to the city of Florence, of a golden rose to decorate the high altar—a gift made the week before the dedication.
Read more at:
http://en.wikipedia.org/wiki/Nuper_ro...
Nuper rosarum flores
Ex dono pontificis
Hieme licet horrida
Tibi, virgo coelica,
Pie et sancte deditum
Grandis templum machinae
Condecorarunt perpetim.
Hodie vicarius
Jesu Christi et Petri
Successor Eugenius
Hoc idem amplissimum
Sacris templum manibus
Sanctisque liquoribus
Consecrare dignatus est.
Igitur, alma parens
Nati tui et filia
Virgo decus virginum,
Tuus te Florentiae
Devotus orat populus,
Ut qui mente et corpore
Mundo quicquam exorarit
Oratione tua
Cruciatus et meritis
Tui secundum carnem
Nati Domini sui
Grata beneficia
Veniamque reatum
Accipere mereatur.
Amen.
(Cantus firmus:
Terribilis est locus iste)
I do not own the rights of this audio. It's free to download at the following link.
https://archive.org/details/Dufay-Nup...
The two homographic tenors, which define the overall structural plan of the piece, are both based on a Gregorian cantus firmus melody taken from the introit for the consecration of churches, Terribilis est locus iste ('Awesome is this place', Genesis 28:17), a fifth apart and with different, interlocking rhythmic configurations.
The title of the piece stems from the name of the cathedral itself: Santa Maria del Fiore, or St. Mary of the Flower. The opening lines of Dufay's text refers to Pope Eugene IV's gift to the cathedral, and to the city of Florence, of a golden rose to decorate the high altar—a gift made the week before the dedication.
Read more at:
http://en.wikipedia.org/wiki/Nuper_ro...
Nuper rosarum flores
Ex dono pontificis
Hieme licet horrida
Tibi, virgo coelica,
Pie et sancte deditum
Grandis templum machinae
Condecorarunt perpetim.
Hodie vicarius
Jesu Christi et Petri
Successor Eugenius
Hoc idem amplissimum
Sacris templum manibus
Sanctisque liquoribus
Consecrare dignatus est.
Igitur, alma parens
Nati tui et filia
Virgo decus virginum,
Tuus te Florentiae
Devotus orat populus,
Ut qui mente et corpore
Mundo quicquam exorarit
Oratione tua
Cruciatus et meritis
Tui secundum carnem
Nati Domini sui
Grata beneficia
Veniamque reatum
Accipere mereatur.
Amen.
(Cantus firmus:
Terribilis est locus iste)
I do not own the rights of this audio. It's free to download at the following link.
https://archive.org/details/Dufay-Nup...
-
Category
-
License
- Standard YouTube License
-
Music
- "Nuper rosarum flores / Terribilis est" by Cantica Symphonia Listen ad-free with YouTube Red
(Cantus firmus:
Terribilis est locus iste)
I do not own the rights of this audio. It's free to download at the following link.
https://archive.org/details/Dufay-Nup...
-
Category
-
License
- Standard YouTube License
-
Music
- "Nuper rosarum flores / Terribilis est" by Cantica Symphonia Listen ad-free with YouTube Red
Nuper
Rosarum Flores ("Recently Flowers of Roses/The Rose Blossoms
Recently"), is a motet composed by Guillaume Dufay for the 25 March 1436
consecration of the Florence cathedral, on the occasion of the
completion of the dome built under the instructions of Filippo
Brunelleschi.
The two homographic tenors, which define the overall structural plan of the piece, are both based on a Gregorian cantus firmus melody taken from the introit for the consecration of churches, Terribilis est locus iste ('Awesome is this place', Genesis 28:17), a fifth apart and with different, interlocking rhythmic configurations.
The title of the piece stems from the name of the cathedral itself: Santa Maria del Fiore, or St. Mary of the Flower. The opening lines of Dufay's text refers to Pope Eugene IV's gift to the cathedral, and to the city of Florence, of a golden rose to decorate the high altar—a gift made the week before the dedication.
Read more at:
http://en.wikipedia.org/wiki/Nuper_ro...
Nuper rosarum flores
Ex dono pontificis
Hieme licet horrida
Tibi, virgo coelica,
Pie et sancte deditum
Grandis templum machinae
Condecorarunt perpetim.
Hodie vicarius
Jesu Christi et Petri
Successor Eugenius
Hoc idem amplissimum
Sacris templum manibus
Sanctisque liquoribus
Consecrare dignatus est.
Igitur, alma parens
Nati tui et filia
Virgo decus virginum,
Tuus te Florentiae
Devotus orat populus,
Ut qui mente et corpore
Mundo quicquam exorarit
Oratione tua
Cruciatus et meritis
Tui secundum carnem
Nati Domini sui
Grata beneficia
Veniamque reatum
Accipere mereatur.
Amen.
(Cantus firmus:
Terribilis est locus iste)
I do not own the rights of this audio. It's free to download at the following link.
https://archive.org/details/Dufay-Nup...
The two homographic tenors, which define the overall structural plan of the piece, are both based on a Gregorian cantus firmus melody taken from the introit for the consecration of churches, Terribilis est locus iste ('Awesome is this place', Genesis 28:17), a fifth apart and with different, interlocking rhythmic configurations.
The title of the piece stems from the name of the cathedral itself: Santa Maria del Fiore, or St. Mary of the Flower. The opening lines of Dufay's text refers to Pope Eugene IV's gift to the cathedral, and to the city of Florence, of a golden rose to decorate the high altar—a gift made the week before the dedication.
Read more at:
http://en.wikipedia.org/wiki/Nuper_ro...
Nuper rosarum flores
Ex dono pontificis
Hieme licet horrida
Tibi, virgo coelica,
Pie et sancte deditum
Grandis templum machinae
Condecorarunt perpetim.
Hodie vicarius
Jesu Christi et Petri
Successor Eugenius
Hoc idem amplissimum
Sacris templum manibus
Sanctisque liquoribus
Consecrare dignatus est.
Igitur, alma parens
Nati tui et filia
Virgo decus virginum,
Tuus te Florentiae
Devotus orat populus,
Ut qui mente et corpore
Mundo quicquam exorarit
Oratione tua
Cruciatus et meritis
Tui secundum carnem
Nati Domini sui
Grata beneficia
Veniamque reatum
Accipere mereatur.
Amen.
(Cantus firmus:
Terribilis est locus iste)
I do not own the rights of this audio. It's free to download at the following link.
https://archive.org/details/Dufay-Nup...
-
Category
-
License
- Standard YouTube License
-
Music
- "Nuper rosarum flores / Terribilis est" by Cantica Symphonia Listen ad-free with YouTube Red
Friday, March 17, 2017
Our Classical music
Let's look at some great classical music and get into it. Just listened to Haydn Cello Concerto in C major today. The Yo Yo Ma version was ok, but somehow there was more depth in the M, Rostropovich one. It could be important to decide which is better than the other.
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